The keen-eyed amongst you will notice that the photograph above shows ‘the Dubliner’ however, in a past life this bar in Digbeth was known as The Barrel Organ and was a flourishing indie/alternative gig venue and drinking hole during the 1980s and early 1990s.

My introduction to the Barrel Organ came around 1986 when I’d just joined a local new wave band named Voice of Dissent and the other guys in the band took me to their favourite haunt for a drink. I was only 16 at the time and it was as much an eye-opener as a visit to Zig Zags some months previously! Upon entering through the door seen to the right of the above photograph, the room was L-shaped with the main drinking area immediately in front of you and to the left, a long ‘room’ with a stage at one end: the bar was also L-shaped and served both areas of the pub.

As a relatively inexperienced pub/club goer at the time I was rather overawed by the gothic and punk clientele drinking there and, silly as it sounds, a bit scared. Several months later I had joined another band called Lost Cause and my first gig with them was to be the Barrel Organ and I recall our rather jangly guitar indie didn’t go down that well with the Barrel Organ faithful but they applauded politely at appropriate pauses in the set!

It wasn’t really until I started working at Edwards Number 8 a year or so later that the Barrel Organ was added to my Brum drinking circuit. The licensee Steve Treanor and his oppo Cal (not sure of Cal’s title . . . if indeed he had one!) were frequent visitors to Eddie’s and I got to know them quite well and would pop in to the Barrel Organ from time to time and really tuned in to the place. At the time it was the epicentre of the gothic scene with a fair punk contingent who were, despite my initial juvenile misgivings, a fantastic crowd.

Regulars of the time may also remember the doormen who worked for Joe Estridge (such as Martin) and doorman come jack of all trades Fergie. The Barrel hosted many gigs too and most week nights a band could be caught there (Written in Yellow being on a lot as I recall) and had their resident sound engineer(s) Colin and Willie (Colin being a rather irascible character who wasn’t an ‘instant hit’ but rather grew on me over time as I got to know him and the desire to wrap everything I could lay my hands on around his head abated). As Steve’s long-left the pub it’s safe to say that the hours of the Barrel Organ were somewhat ‘flexible’ and I used to go there after finishing work at the Institute night club just over the road about 2.30 in the morning and drink there until 5 – 6am with Cal, Fergie and whoever else was around!

I’m not 100% certain as to when the Barrel Organ opened or closed: it seemed an ever-present on the Birmingham gig circuit and alternative scene and then one day I was driving past and it had become the Dubliner. I did bump into Steve Treanor mid-1990s who at that time had a backstreet pub in Newtown that was an absolute hoot and I seem to recall him running the Ship Ashore/Outrigger at some point too but don’t know his current whereabouts: I also ended up working with Cal’s mom and my mom worked with Steve’s sister for a while (funny old world!). If anyone wishes to share their memories of the Barrel please feel free to do so using the form below.

Edward Fewtrell

Opinions about Edward Fewtrell are rarely non-committal or ‘on the fence’: speak to one person and he’s Birmingham’s underworld godfather, speak to another he’s a charitable philanthropist, speak to another and he’s a top businessman, and another and he’s a family man etc etc . . . truth is, he’s probably a combination of all those elements. They’re in no way mutually exclusive character traits and most of the legendary tales about his past from which most people have formed their opinion are somewhat skewed, exaggerated or conversely, in some instances, economical with the truth! However, one fact that’s incontrovertible is that Eddie Fewtrell single-handedly, with a little help from his brothers, did more to nurture and develop Birmingham’s nightlife culture over three decades than anyone else and for that fact should be applauded.

It would be relatively easy here to provide an account of Eddie’s business career but, as with the majority of this website, merely recounting facts that can be found elsewhere on the Web is largely a pointless exercise so I thought a few anecdotes and observations of my dealings with Mr Fewtrell might provide more of an insight. However, a brief potted history for the uninitiated may provide a useful background so here goes . . .

One of a family of 10 born to a somewhat broken home in the relatively deprived Birmingham suburb of Aston, from an early age Eddie undertook the mantle of familial breadwinner and paternal figure to his younger siblings which I think largely laid the bedrock for his later empire building in the nightclub scene in Birmingham City Centre in years to come. Following various business ventures Edward opened the Bermuda Club in Navigation Street which was legendary for having both a front of house bar and ‘backstage’ gambling den which operated somewhat beyond the realms of legality at the time but was sufficiently frequented by Birmingham City Police notables and allied City dignitaries as to run fairly raid-free for the majority of its tenure.

Next-up, Eddie opened the Cedar Club (off Constitution Hill) and began to cultivate his ‘celebrity persona’ with emerging 60’s acts such as the Move playing at the club along with a string of top acts regularly gigging there, socialising at the club and in some instances working there during the embryonic phases of their careers. The Cedar Club stood Eddie in good stead for his next venture which was the much renowned Barbarella’s on Cumberland Street (off Broad Street) which launched a number of bands and hosted many top acts including The Ramones, AC/DC and many, many more huge and soon to be huge acts from the world of entertainment. During this period the nightlife scene was going through something of an evolutionary period with a shift from cabaret clubs to more disco-based nightclubs and Eddie rode this wave with the opening of Rebecca’s in John Bright Street and later Abigail’s and Edward’s – also on John Bright Street – with Paramount and Goldwyn’s on Lower Severn Street opening towards the close of the 1980s.

I think it can be said with a fair degree of certainty that the majority of Brummies who enjoyed the odd night out during the 1970s and 1980s would have visited at least one of Eddie Fewtrell’s establishments and for a time throughout the mid to late 1980s John Bright Street was the THE epicentre of club culture and the heart of the Fewtrell Empire. Following the sale of all his clubs to Ansell’s Leisure in 1989, Eddie was faced with a three-year golden handcuffs arrangement but on its expiry returned to night club ownership with XL’s night club at Five Ways and the XL’s Rock Cafe on Paradise Circus and Millennium Club at Merry hill.

I first became aware of Eddie Fewtrell when auditioning for a band in the mid-1980s who were managed by an associate of Eddie’s. Upon mentioning the band to a musician friend he advised me not to get mixed-up with ‘people like that’! I’d never heard of Eddie and asked a few people who was this person of whom my colleague had spoken in such a cautionary tone to find out that he was the owner of a nightclub empire and had a reputation akin to the Krays and was certainly not someone to mess with. I gleaned a number of ”horror stories’ from various hearsay sources about adversaries being dispatched under the concrete pillars of Spaghetti Junction during its construction, shootings, a legion of punch-happy brothers who were also legends around the Birmingham club scene etc and thought better of joining a band that was managed by one of his cohorts.

As fate would have it, a few short years later I found myself at 17 being instructed to go to Boogies Brasserie to ask Mr Fewtrell for a position on the door of Edward’s Number 8 night club! I didn’t really know what to expect – some Al Pacino-type figure I suppose – as I approached Nobby on the door and said I’d been sent to have a word with Eddie and was pointed in his direction. At the end of the bar was a circle of middle-aged men enjoying a drink – some of whom were what I’d term ‘brick outhouses’ – with a rather diminutive grey-haired chap in the middle holding court: that was Eddie Fewtrell. I took a deep breath, walked up to the group at which point they all stopped laughing and chatting and simultaneously turned to look at the spotty, overweight, long-haired 17 year old before them. I stuttered out that I’d been sent over from Edward’s Number 8 to ask about a job on the door to which Eddie just grunted “start Friday you c*nt”, and then turned back to his pals and they all started chatting where they’d left off! Not your standard job interview but in the circumstances it was as long as I wanted. And that was that really, I was working for Eddie at one of his showpiece clubs at 17!

Preconceptions are strange things and largely stand to be shattered and this was certainly true with Eddie Fewtrell. Everything I’ve said thus far turned out to be applicable to Eddie to some degree. I’d somehow sneaked into his organisation’s inner circle at a very young age and was working alongside his longstanding associates such as Ricky Rickabee, Gigi, Norman ‘Nobby’ Nobbs and whole host of characters of both savoury and unsavoury ends of the spectrum and loving every minute of it. The clubs themselves were great, and at that time all booming and vibrant, but equally as enjoyable was getting to chat to Eddie and his crew who were remarkably open about their histories and previous exploits and would quite happily sit, as would Eddie, over a few drinks and regale me and others with endless anecdotes and tales of past escapades.

I didn’t know it then as I was fairly inexperienced in the world of employment but Eddie was one of a kind. Whereas managers and owners of other clubs at which I would come to work were very distanced from their staff, Eddie would do the rounds of all his clubs at least a couple of times a night and stand and have a chat with the doormen and other staff and crack a few jokes and make sure everything was ok. On a Sunday night I’d work the door at Edward’s on my own for £15 (looking back I must have been mad) and Eddie would phone me at least a couple of times during the evening from his favourite haunt of Goldwyn’s around the corner to check that all was well. I can honestly say that I always found him a very avuncular chap who really cared about his staff and wasn’t afraid to muck-in when required (more about that later) and that he knew that staff would have a few free drinks etc but so long as they weren’t really taking the p*ss he was cool with that too.

On the flipside, several incidents spring to mind that give an insight into the power Eddie wielded in Birmingham that have stuck with me over the years. Some of which I won’t recount here but a couple of incidents below give some idea.

One night I was having a few drinks on a night-off on the top floor of Edward’s Number 8 when the girl I was with shouted ‘oh my God’ and pointed at the dance floor at which point the music cut off. I looked over as a line of about 20 blokes trouped across the dance floor and began seriously laying-in to another couple of chaps who were having a drink. The DJ had killed the music and called for the doormen but there were only two working that night and it later transpired that the ‘hit squad’ had just barged their way in on a mission to sort out the two chaps inside. I ran over as the two doorman arrived but it was way beyond our intervention. Then, out of the corner of my eye I noticed Eddie was at the other end of the bar having a drink with Ricky Rickabee. On spotting the melee Edie put down his drink and came straight over, pushing his way into the middle of the brawl at which point everything just stopped – Eddie just looked up at one of the chief protagonists and raised a finger: “you don’t fight in one of my f*cking clubs, now get out” was all he said in a rather hushed tone at which point the whole troupe turned and all walked out in single file in complete silence, heads bowed. Eddie then just looked at us and said something to the effect of “as you were” and returned to his drink and conversation with Ricky!

On another occasion we got the call at Edward’s Number 8 that all doormen were needed to deal with ‘a riot’ at Goldwyn’s. We all ran round the corner meeting up with the lads from Boogies club and Brasserie and piled into Goldwyn’s not really knowing what to expect. Now for those uninitiated with the club, it was split-level and you arrived into the main room on a raised level which housed the bar and half-way along the room the floor level dropped a couple of feet to the dance floor. As I got inside, the raised level gave a commanding view of proceedings on the dance floor which was, in short, carnage, with about 50 men knocking seven shades out of each other. For our purposes here, the image that’s stuck with me to this day however, was that in the middle of all the fighting was a clear circle at the centre of which was the diminutive figure of Eddie randomly throwing punches at whoever strayed within reach . . . none of whom even attempting to throw a punch back but rather trying to dodge out of the way somewhat apologetically. That was a really surreal sight and gave me a flavour of the extent of Eddie’s reputation beyond that of amiable raconteur!

As an aside, Eddie’s biography/autobiography came-out a few years ago (King of Clubs: The Eddie Fewtrell Story) and whilst charting Eddie’s career and charitable associations – of which he had many – I felt it wholly missed the good stuff and was put into such a scatological chronology that it was quite hard to follow: shame, as I’m sure there’s a much better book in Eddie than that!

However, from my perspective – and I hasten to add I only was around Eddie for a couple of years – I really liked Eddie and his ‘no-nonsense’ approach and his rags-to-riches determination has much to be admired. Furthermore, I always got the impression that he saw his clubs as extensions of his family – he really cared about them and the staff (in fact many of his brothers and family members worked in his various club over the years including his daughter Rebecca who worked on the reception at Edwards when I was there and his brother, the late Don Fewtrell, as manager of Goldwyn’s) and considered those causing trouble in one of his clubs in the same manner as you and I would if someone burst into your home and started fighting with each other!

Whatever is written and said about Eddie Fewtrell, and I appreciate that there are those with vastly differing opinions of the man, he’s definitely a larger than life character with a fascinating history. He breeds horses now too!

Boogie's Brasserie - John Bright Street

Opened by Edward Fewtrell in 1966 as Rebecca’s – named after his eldest daughter – the premises operated along similar lines to later opened Edward’s Number 7 and Edward’s Number 8 bar and nightclub which were housed in an adjacent building in opening in 1979.  On the ground floor accessed from John Bright Street was Rebecca’s Brasserie, and to the rear, accessed from Lower Severn Street, was the nightclub part of the venue which occupied the upper floors (if my memory serves me correctly Edward Fewtrell’s office was on the very top floor) and was originally divided into the Cabasa, the Blue Soul and the Sin Bin.

The view above shows the ‘Geoffrey Buildings’ that housed the venue on the now pedestrianised John Bright Street – which was once a main thoroughfare with both the number 45 and 47 bus routes having their termini opposite the front of the club – with Lower Severn Street running off to the left of the shot.

In later years the club and bar ware renamed Boogies and Boogie’s Brasserie (the only bar where I’ve ever witenessed a mounted policeman entering a premises still on horseback during a particularly lively disagreement with ‘the Zulus’ during the mid 1980s!), respectively, and were – certainly during the early to mid-1980s – always packed and a popular haunt being as it was at the time, in the epicentre of club life in Birmingham.  I’m sure anyone who frequented Boogies will recall Norman ‘Nobby’ Nobbs lurking outside the entrance drumming up business in his inimitable ‘market trader’ style and harassing the queuing minions with his banter!

Sadly, as with the rest of Edward Fewtrell’s clubs, Ansell’s Leisure bought Boogies in 1989 and renamed it Orleans and the nightclub part befell a fire which gutted the premises leading to its partial demolition and rebuilding more in keeping with the Westside Development Scheme . . . which was a stroke of luck for the impending development!

Edward's Number 7 - John Bright Street

Pre-Broad Street ‘Golden Mile’, John Bright Street was one of the places, if not THE place, to be for for a night out in Birmingham City Centre.  Originally opening in 1979, Edward’s Number 7 bar and Edward’s Number 8 nightclub above it were the 7th and 8th clubs/bars to be opened by Birmingham club impresario Edward Fewtrell – hence their names – and marked a concentration of his clubs/bars in one area with Abigail’s and Rebecca’s also on John Bright Street and later Gowldwyns and Paramount just around the corner.

The ‘bar’ element comprising Number 7’s occupied the bottom two floors of the building and was located at the frontage onto John Bright Street with the entrance on the corner of that and Lower Severn Street as seen above.  The Number 8’s nightclub – also occupying two floors – was accessed via an entrance on Lower Severn Street at its corner with Beak Street  – to the extreme right of the above shot.

Whilst initially a reasonably successful club and bar, Number 8’s began to flag and in 1987 became a Rock club (Edward’s Rock Complex) catering for the City’s heavy metal/hard rock fraternity and became a phenomenal success and also opened itself up for gigs by rock bands and hosted some soon to be huge groups such as Faith No More.

Unfortunately, Ansell’s Leisure bought the premises from Mr Fewtrell in 1989 and rather ruined what had been a successful club.  They also changed Number 7’s from two floors to one and renamed it Bizzy Lizzies – for some reason better known to themselves.  However, with newer, more exciting and more heavily invested-in venues springing up elsewhere – particularly around Broad Street – John Bright Street began to lose its appeal and with it the old Number 7s began to fade away.

In November of 2006 a fire completely gutted the building (a similar thing happened to Boogies Nightclub too when that part of John Bright Street was earmarked for redevelopment oddly enough) and what remains today – as seen above and below – is a new building built within the facade preserved from the original structure.  Whilst ‘Eddie’s Rock Club’ lives on in name only at a nearby venue – the original is well and truly no more.  The Westside Two development Scheme that encompasses John Bright Street has now ensured that, some may argue, pointless office blocks prevail in the area and that the night life has long since left the buildings!

For my personal recollections of Edward’s Number 8 as a rock club, please see my Edward’s No.8 Night Club – The Rock Complex Remembered article.

The site of Goldwyn's Nightclub - Suffolk Place

Aimed at a slightly more upmarket crowd than Boogies and Edward’s nightclubs and bars just around the corner, with the opening of Goldwyn’s nightclub in  1989 – along with Paramount bar beneath it in 1988 – Edward Fewtrell aimed to tap-in to the theatre-going public (the Alexandra theatre being next door) and to present live cabaret-style acts and charity ‘dinners’ etc in a nicely decorated and furnished environment:  a cross between what had previously been attempted with Abigail’s and the more run of the mill nightclubs elsewhere in the City.

Whilst it did function for the above purpose on occasion, it largely became a conventional nightclub and became increasingly used for hosting the gigs of larger bands on behalf of Edward’s Number 8 – Nirvana, for example, played here!

When Ansell’s bought Mr Fewtrell’s chain of clubs and bars later in 1989 they moved into the offices above Goldwyn’s to preside over their new ‘empire’.

I can’t say for certain whether or not the above building actually part-comprises the original Goldwyn’s premises as I wasn’t around when the office block above was built but would be interested to hear from anyone with more information.  For orientation purposes, the entrance to the club was where the black roller shutter can be seen behind the road sign.

Following the ‘Goldwyn’s era, the premises became The Foundry and Mr Bill’s Bier Keller which had uprooted from Nedless Alley, off New Street before total closure as a licensed establishment.

My abiding memory is of Texas playing there and during the sound check a severe rainstorm led to a roof leak above the stage.  An irate PR person from the concert promoter stormed over to the sadly now late Don Fewtrell – manager and brother of owner Edward Fewtrell – to vent her spleen about the problem:  “the roof’s leaking onto the band . . . what are we going to do?” she ranted – “get f***ing wet” came Don’s reply . . . magic!

Paramount - Suffolk Place

Opened by Edward Fewtrell a year before selling-up to Ansell’s Leisure, Paramount was a single-room bar around the corner from Edward’s and Boogies in the heart of the John Bright Street nightclub and bar scene of the 1980s.

Subject to an intervention from Paramount Studios over the name, the bar proved quite a popular venue on a Friday and Satruday night and the empty warehouse above it was cleared and turned into Goldwyn’s nightclub a year after opening.

The photograph above shows the the building that housed both Goldwyn’s and Paramount:  the entrance to the former being where the black roller shutter us seen to the left and the Paramount entrance to the right of the building on the corner of Suffolk Place and Beak Street with the DJ console being immediately to the right as you entered – the bar being ahead down a short flight of stairs and along the left of the venue.

I never had much involvement with Paramount at all during my time working for Mr Fewtrell and Ansell’s Leisure so haven’t got anything of interest to add.  All I recall was that the manageress was called Vanessa during the late 1980s!

Fortunately, Birmingham DJ Dave Juste (Longmate in real money) – who was if I recall, DJ’ing at the Three Horse Shoes in Stirchley and was a singer in a ‘metal’ covers band that I saw play once at the Railway on Curzon Street – and was a regular at the Costermonger – noted the growing rock scene in the City and spotted the opportunity for a dedicated rock club. After hawking the idea around the City’s existing clubs to no avail, Dave pitched the idea to Edward Fewtrell – deserving of a website in his own right and of whom more will be written elsewhere – who owned a couple of clubs and bars on john Bright Street in the City Centre: it was agreed that a trial run would be given at Edward’s Number 8 night club in April 1987.

I still remember the buzz on the opening night in 49′ers as everyone drank, clock-watching for when they needed to leave to take the short walk up to Edward’s to experience the first night of the long-awaited rock club. Myself and a handful of friends queued early for the doors to open with about 20 other people – being mocked by the ‘trendy’ crowd who were attending Edward’s Number 7 – a bar beneath Number 8 – and Boogies Brasserie – another of the Fewtrell bars on John Bright Street. We felt a bit intimidated at that time and were rather hoping they’d hurry up and open the doors before the ‘banter’ descend into something more serious: the tribalism of youth can be a funny thing!

I think I was ticket number 17 when the doors opened and we entered the club through an internal metal fire escape up to the top floor where we found Dave Juste – and a few other rock scene notables (Steve Webb, Jon Nevin etc) excitedly sorting through records to play and getting everything setup. As an aside, as the Birmingham rock scene at that time was a farily modest size – or at least as we thought – consisting of the regulars at three or four City Centre pubs it was quite a close community where most people knew everyone else and it was very exciting to have ‘our’ club – and all credit to Dave Juste (with whom I had a rather odd relationship over the years – more of which later) and Eddie Fewtrell for getting things really moving just in time for the boom in what was then ‘heavy metal’ in the mid to late-1980s.

Within an hour or so of opening, the club was absolutely jam-packed with hundreds of people crammed in – you could hardly move – and it was all a done deal: within weeks both floors of Edward’s Number 8 were given over to rock, as was the top floor of Edward’s Number 7 bar and every weekend 1500+ people would cram in. Each floor had a different theme: the ‘bottom floor’ catered for 60’s and 70’s, the ‘middle floor’ catered for what was then contemporary rock and the ‘top floor’ the emerging thrash scene. In addition, each floor had a ‘back bar’ – a small bar with seating and quieter music – which had names: Harry’s Bar was one but I forget the other names – I think there was the ‘Keynote Bar’ at the back on the top floor which had a piano in it in the early days.

In time, Richard Walker – the manager prior to Edward’s becoming a rock club and whose disdain for the rock crowd oozed from every pour – stepped aside and Dave Juste was appointed manager of the by-then phenomenally successful club which began to enjoy the unprecedented outside of London scenario of not only being crammed to the rafters every weekend but also attracting coachloads of rock fans from all over the country who would come to visit – such was the demand for rock venues at that time.

As I was there every minute I had to spare I became friendly with the staff – especially the newly appointed door staff (the previous doormen – Craig and Merryck having departed shortly after the opening night) and as a big chap – albeit only 17 – when one night one of the doormen failed to show, I spent the night on the door and received a pay packet for it at the end of the night and that was that, I was a doorman at Edward’s!

For two years I worked on the door at Edward’s and had the time of my life – I was there every night it was open – which was 7 a week – and getting paid for it.  My social life was booming, we started to attract some top band to play there (Faith No More, Ian Gillan, Dr Feelgood and many, many more) and I got to mingle with the Fewtrells who treated me amazingly considering I was basically a kid at the time but I felt a million dollars.  There I was mixing with Birmingham ‘legends’, sitting after hours in Goldwyn’s – another Fewtrell club just around the corner from Edward’s Number 8 – with Eddie Fewtrell and his brother Don and various close members of their team (Gigi, Gianni Paladini, Norman ‘Nobby’ Nobbs, Ricky etc) being regaled with incredible stories of their past escapades, meeting top bands and celebrities, never having to pay for a drink or to get into any club:  at 17-18 that’s about as good a life gets!

There was an interesting mix of clientele at the club with youthful newcomers to the scene mixing with more mature rock music fans in their 30s and 40s, bike clubs (the Cycle Tramps being one of the more notorious), Goths, Glammies (the more ‘hair-metal’ fans of the 80s American rock scene through such groups as Motley Crue, Cinderella, LA Guns etc), musicians and music industry people along with coaches of rock fans from other towns and cities throughout the UK.

However, the danger of combining work and social life came home finally to me in 1989 when Eddie Fewtrell sold his clubs to Ansells Leisure – an odd offshoot of Ansells brewery who instantly sapped the fun out of the clubs they purchased:  Edward’s Number 8, Edward’s Number 7, Boogies, Boogies Brasserie, Paramount and Goldwyn’s . . . and the old Skin Hospital adjoining Edward’s to which we had the keys and spent many a happy hour mooching around it’s time-capsule interior, but that’s another story.

As soon as Ansells came in the Fewtrell mantra – as I read it – of “as long as the money’s coming in and your not taking the Michael, enjoy yourselves” evaporated.  New computerised tills linked to new beer pumps were installed so they knew exactly what beer had been pumped and what money had been taken for it, the tills for the entrance were computerised and tallied against headcounts etc etc.  The days of Eddie coming in at 11pm, taking a wad out of a door till and proclaiming “I’m off to the Casino” had well and truly gone!  We were now part of Ansells, the managerial suits moved in and the informality of the Fewtrell era was replaced with corporate formality.  In actual fact, I don’t recall the Ansells’ management showing any interest in the club itself and only visiting it during its opening hours on a couple of occasions for a couple of minutes which was in stark contrast to Eddie Fewtrell who did ‘the rounds’ of his clubs at least a couple of times a night and always stopped for a joke and a chat.  Unfortunately for me, along with the new regime came Ansells Security who – some weeks after taking over – had observed me receiving a pint from a barmaid and no money being taken leading to my dismissal and barring form ‘ALL’ Ansells’ premises . . . the barmaid who had refused to take my money, however, was not disciplined!

Fortunately, the agency that were then managing the door at Edward’s took me into their employ – under Ansells I’d been taken on as permanent staff with a trumped-up title – and I worked at a few other places but, three months later, was back at Edward’s as they were a man down and I was off work that night.  I then had 5-6 months on the door there again before the doormen were employed directly – including me (short memories Ansells) and following a few weeks of direct employment, was sacked and banned once more, this time by Dave Juste, for the final time.

The club itself carried on for a few years and around 1992 Eddie Fewtrell bought XL’s Nightclub at Five Ways (an Ansells’ 3-year ‘Golden Handcuffs’ deal had previously prevented him from further club running until then) and Dave Juste moved to that venue and my ban thus lifted.  However, by this time Edward’s was on the decline and I visited a handful of times but it didn’t compare with its late-80s heyday.  The club rumbled on until 12 Nov 2006 when a fire completely gutted the building – when it was open for business – and that was that.

I could write a thousand pages about that club and my time in its employ but hopefully the above gives a flavour of a once great – and unique – night club venue in the heart of Birmingham.